Sunday, November 17, 2013

Into the Labyrinth of Solitude Pt. 2

Final Progression

As I stated in my last blog post, I am going to conclude Octavio Paz's Labyrinth of Solitude, but I will be figuring out what I want to look at in my final series of blog posts next week and present it the following week.  Unlike last post, I mentioned that I was going to look at Paz's work but I did not state why per say.  Although my project is looking at how the Day of the Dead represents the Mexico's identification with death, Paz's work looks to understand the various aspects of Mexican identity past and present.  His work does an excellent job as it looks as various facets that pertain to Mexican philosophy and I would absolutely recommend this to anyone based solely on its philosophical and poetic discussions.  However, I read through the last half of this work and found it focused less on the identification of death and more of the political background to the idea of solitude as it relates to Mexican identity.  For the purpose of this blog, I want to focus solely on the aspects that help me understand how death relates to Mexican identity and how this may relate to the Day of the Dead.

Solitude and Death

One of the big discussions in Chapter Four was about the symbolic representations that death can present to the Mexican in solitude.  The first major example I found was how Paz demonstrated that women both represent the beginning of life and have some connection with death themes.  As Paz puts it, "She is an image of both fecundity and death.  In almost every culture the goddesses of creation are also goddesses of destruction." (Paz 66)  He also demonstrates how the Mexican people have to use unconventional ways to express themselves, perhaps the Day of the Dead could be an excellent example.  I feel this way because when discussed the opening up of the Mexican expression he said, "It is revealing that our intimacy never flowers in a natural way, only when incited by fiestas, alcohol or death." (Paz 70)  With lines such as this, it is no surprise that many of the Mexican people turn to the Day of the Dead for expression.

The last couple of examples reflect how the Mexican people understood death regarding their ancestry with the Mexica and Catholicism.  Paz used an example of Jesus' Crucifixion to express the duality of life and death that the Mexican people believe in.  With this description Paz believes that, "on the one hand, the wounds are flowers, pledges of resurrection; on the other, they are reiteration that life is the sorrowful mask of death." (Paz 83)  The reason Paz uses the example of the Crucifixion of Jesus is because of what Catholicism provided for the Mexican people. According to Paz, "Catholicism re-established their ties with the world and the other world.  It gave them back a sense of their place on earth; it nurtured their hopes and justified their lives and deaths." (Paz 102)  The Mexica and other groups in colonial Mexico needed a new sense of unity after the fall of the Aztec empire and what they believed as the betrayal of their gods and goddesses.  When the Mexica felt the moment of immobility from conquest, "which is also the moment of vertigo, the Aztec people raise their eyes toward the heavens: the celestial omens are adverse, and the people feel the attraction of death." (Paz 94)  In other words, the Mexica may have accepted their death and allowed Spanish conquest due to this betrayal.

  Yet, Paz believes that there is a way in which the Mexicans can be able to connect with the the Mexica past.  This example would revolve around the lost tomb of Cuauhtemoc , the last Mexica emperor before the fall of Tenochtitlan.  "The mystery of his burial place is one of their [Mexicans] obsessions.  To discover it would mean nothing less than the return to our origins, to reunite ourselves with our ancestry, to break out of our solitude.  It would be resurrection." (Paz 84)  The idea of uniting with the origins of the ancient past is something that Paz believes was a major factor during the Mexican Revolution in the early 20th Century.  For the Mexicans, "...it was a movement attempting to reconquer our past, to assimilate it and make it live in the present." (Paz 147)

     Cuauhtemoc (European depiction with the Conquistadores)

 The final point that Paz focused on was how certain fiestas in Mexico allow the Mexican people to break from the ideas of solitude within their culture.  As Paz put it, "myths and fiestas, whether secular or religious, permit man to emerge from his solitudes and become one with creation." (Paz 211)  I believe this may indirectly apply to the Day of the Dead, since it is a fiesta within Mexican culture that may be viewed as secular or religious depending on your perspective.  Since Paz was always discussing throughout this work that the single Mexican seeks to escape the labyrinth of solitude, it makes since that a fiesta such as the Day of the Dead is a way for everyone to join a communion that embraces and celebrates the dead.  For the "...religious ritual, and the constant presence of the dead, create[s] a center of relationships which restrict independent action, thus protecting the individual from solitude and the group from dissolution." (Paz 205)  Without the presence of fiestas such as the Day of the Dead, the individual might feel a sense of isolation which may lead that person closer to the realm of death.  As Paz said, "permanent exile, then, is the same as a death sentence." (206)

Source cited:
Paz, Octavio. The Labyrinth of Solitude. New York: Grove Press, Inc. 1961

Sunday, November 10, 2013

Into the Labyrinth of Solititude

Research and Development

For this week, I decided to look at a work that has been cited in some of the other sources I have used thus far in my research.  The work is entitled The Labyrinth of Solitude by Octavio Paz and it focuses on understanding the identity of what it meant to be Mexican.  Paz's specialty was political philosophy and poetry in Mexico during his lifetime (1914-1998).  After beginning to look into this work by him, I have found some excellent insight into what exemplifies Mexican identity regarding death and some correlations to the Day of the Dead.  I will break up this analysis into two main entries to provide a complete understanding of his work.


Death, Identity, and the Day of the Dead

Paz first focuses broadly at identifying what the characteristics of Mexican society are.  He emphasizes that because of the colorful history of Mexico which often included violence, invasion, and a mixture of heritage many Mexicans feel a sense of "solitude" as the work represents.  From this solitude, many Mexicans believe that they do not belong to the rest of the world, especially compared to the rest of North America.  In fact, Paz demonstrates that "this Mexicanism...floats, never quite existing, never quite vanishing." (Paz 13)  Along with this, a continued sense of duality between life and death among the Mexican people is prevalent which brings a reverence for both.  As Paz put it, "our cult of death is also a cult of life, in the same way that love is a hunger for life and a longing for death." (Paz 23)

It is from this duality of life and death that some of the familiar relationships with death imagery comes from.  Paz demonstrates this when he says, "in the hubbub of a fiesta night our voices explode into brilliant lights, and life and death mingle together, while their vitality becomes a fixed smile that denies old age and death but that changes life to motionless stone." (Paz 24)  This duality can be traced to the Mexica/Aztec ancestry in Mexico, as I have stated throughout my blog posts, as they depended on the preservation of life through death.  "...To the Aztecs it [death] was the profoundest way of participating in continuous regeneration of the creative forces, which were always in danger of being extinguished if they were not provided with blood, the sacred food." (Paz 56)  This traditional concept of life and death was inherited into modern thought in Mexico as they believed that life and death were representative of each other.  This is evident when Paz stated, "our deaths illuminate our lives.  If our deaths lack meaning, our lives also lacked it." (Paz 54)

This philosophical analysis by Paz was the perfect foundation for demonstrating how death characterized Mexican identity, particularly as it related to the Day of the Dead.  The festivities of this day were not only meant to be celebratory, but also continue the sense of duality towards society.  According to Paz, "our fiestas are explosions.  Life and death, joy and sorrow, music and mere noise are united, not to re-create or recognize themselves, but to swallow each other up." (Paz 53)  The festivities also demonstrate the dark humor that Mexico appreciates with the various aspects of Day of the Dead.  "Sugar-candy skulls, and tissue-paper skulls and skeletons strung with fireworks...our popular images always poke fun at life, affirming the nothingness and insignificance of human existence." (Paz 59)  It is clear that Mexican society is not afraid to demonstrate their acceptance of death since it is as fundamental as the air they breath.

Paz also continues to compare the identification with death of Mexico with other Western societies.  He particularly discusses how Mexico publicly discuss death as a way of handling their fear of death.  For Mexico, "...death is not hidden away: he looks at it face to face, with impatience, disdain or irony." (Paz 58)  In comparison, Western society seems to avoid death to the point of not even mentioning it in everyday conversation.  Paz believes that this is simply ignorance since death is a part of everything from cemeteries to hospitals that seek to prevent death.  Paz put it perfectly when he said, "it is useless to exclude death from images, our words, our ideas, because death will obliterate all of us, beginning with those who ignore it or pretend to ignore it." (Paz 60)  Death is inevitable regardless of what society one is born in and Mexico chooses to accept it even if it is limited.  Regarding death, "he praises it, celebrates it, cultivates it, embraces it, but he never surrenders himself to it." (Paz 59)

Source Cited:
Paz, Octavio. The Labyrinth of Solitude. New York: Grove Press, Inc. 1961

Saturday, November 2, 2013

El Dia Todos los Difuntos

Continuation and Correction

Today, I am going to continue with the documentary that I began yesterday and conclude it today.  However, I feel I should correct myself a little bit yesterday.  Yesterday was All Saints' Day, but most of my blog post was about the events of October 31st, when Mexico has their world renowned celebration where they dress up.  November 1st and 2nd are celebrated in a different way and I will address those today.  I will finish discussion on the 2nd part of the documentary and also discuss the 3rd part for today's post.

All Saints' Day revisited
  

 BBC Documentary Part 2 cont.

The image above is a typical scene one would see on All Saints' Day in Mexico as Mexicans decorate the graves of their loved ones.  Before this, the families begin preparations for their deceased loved ones' favorite dishes.  They do such because of an understanding of how their loved ones will return and want something they enjoyed when they were alive.  When the journalist visits with a local historian, she states that just before a local grandmother passed away, she wanted to make sure her family knew how to properly make her favorite dish so that she would be able to enjoy it more when her spirit returned. (BBC 9:01)

The second part of this day is when the spirits of the deceased children return and visit the ofrendas of their family or other families if they do not have any family alive.  The Mexican people truly believe that the spirits have come back and notice this with signs of a breeze and a movement of the smoke from incense after the local church signals at 3:00 p.m. that the spirits have arrived.  The journalist even acknowledged the presence of the spirits when he said, "I'm not particularly a sentimental person...and I don't believe in ghosts, but...there is a huge sense of a build up to something...," as if he could feel a presence of their spirits. (BBC 12:11)  The ofrenda is clearly represented in this section as the family begin to decorate it with food for the spirits of their deceased family members.  When the journalist asks why they do such, the daughter replies, "The altar has great significance in this village.  What we are putting on now signifies life and abundance, what the Earth has given us, and what our loved one use to enjoy when they were alive.  That's why we're offering the best fruit of the season." (BBC 15:28)


BBC Documentary Part 3

The final part of this day is when the families go to the cemeteries to decorate the graves of their family members (as is seen with the first image).  After decorating the graves, the cemetery becomes place of celebration for the living as they stay for hours and celebrate with each other and spirits that are present.  They try to create a peaceful environment for the spirits within the cemetery so that the spirits may return in a calm manner.  This can be seen with the local Catholic church performing songs and chants to call upon the spirits. (BBC 0:40)  All of these actions within the cemetery are common because the people possess a close relationship with death and embrace this even during their lifetime.  When the journalist asked the daughter if she would still have a humorous understanding of death if she were to die the next day, she replies, "Yes.  It makes it easier, it's in our hands, life is short and only in death are we really alive." (BBC 1:23)

All Souls' Day

The final day is quite similar to the events of the previous day as this is when the spirits of the deceased adults return.  The families prepare a feast for not only themselves but for their deceased relatives, usually of their favorite dishes.  After that, the families go to the ofrenda again as the church signals the return of the adult spirits.  It has a similar spiritual connection with the dead that the previous day did in which the presence of the spirits are felt.  After the initial return of the adult spirits, the dinner for the evening is served (first to the spirits on the ofrenda and then to the rest of the families).  The adult spirits are then guided by the sound of fireworks back to their realm until next year.  This experience is not one of sadness, but one of anticipation for the families in Mexico as it will give them something to look forward to next year.  This is evident when the journalist compares his views with that of the Mexican people when he says "...you don't just acknowledge the death once, you can look forward to the return as long as you live." (BBC 9:52)  After the spirits have left, the families continue to feast and drink to their lives and to the memories of the spirits.

Sources Cited: 
BBC. “Feasts – Mexico 2 of 3 – BBC Culture Documentary Dia De Los Muertos.” YouTube Web site. YouTube video file. http://www.youtube.com/watch?v=JFt8-WdstQA   (accessed 1 November 2013)

BBC. “Feasts – Mexico 3 of 3 – BBC Culture Documentary – Dia de los Muertos.” YouTube Web site. YouTube video player. http://www.youtube.com/watch?v=jl25Uf9RpdA (accessed 1 November 2013)

Friday, November 1, 2013

El Dia Todos Los Santos

A quick entry
 I wanted to take time today to briefly provide some information to anyone that wishes to read it.  Today, as the title depicts, is All Saints' Day, but for Mexico it is the first seminal day for Los Dias de Los Muertos.  So I wanted to do something different.  Today, I will provide a link to a Day of the Dead site for anyone to read and provide more visuals of the contemporary Day of the Dead.  Hopefully, tomorrow I will present what occurs during All Souls' Day in Mexico. 

Day of the Dead

BBC Documentary Part 1

The second link is a documentary that the BBC did in 2011 that follows one of their journalists as he hopes to understand the Day of the Dead in Mexico.  Although this video focuses primarily on a Quinceanera in modern day Mexico, it does provide some detail into how Mexico understands death.  Various times the journalist discusses some of the basic concepts with understanding death.  For the purpose of this blog, I will focus on one the sections of 4:30 - 6:18 and the last minute of this section (which is also the beginning of the next Part of the documentary).  During the first section of this part of the documentary, the journalist begins to express some of his beliefs and understanding of death as they relate to Mexican beliefs.  When observing some of the various calavera characters found in Mexico, he finds one holding a small bottle of Corona and states, "That's slightly macabre." (BBC 6:00)  This depicts that to outsiders, Mexico seems to possess the idea that death is a natural as perhaps alcohol and is an everyday thing.  This is something that I have previously discussed throughout the semester, but there was another incident that seemed different from other accounts I have found.  In one scene, the journalist presents an image of a deceased loved one (which he was asked to do) and places it upon the ofrenda and begins to break down and cry from this symbolic act. (BBC 6:12)  This emotional expression of grief is something that is quite common in western society, but is approached differently in Mexico.  I believe that grief is expressed through the jovial and entertaining festivities of the Day of the Dead as opposed to simply expressing sorrow.  The journalist makes one final statement (which is repeated in the second section) in which he says, "I wonder if celebrating something I prefer to avoid [death] will make it easier to deal with." (BBC 19:58) 

BBC Documentary Part 2

The second part of the documentary is when we really begin to look at the Day of the Dead.  I will discuss only part of this video and discuss the rest of it tomorrow, because the video up to 6:05 focuses on the festivities of All Saints' Day celebrations in November 1st.  In combination with the final part, tomorrow I will also present the 3rd part of this documentary. 

This part begins where the first part left off as the journalist joins a family in Oaxaca just before the festivities begin.  He discusses some of the aspects of the Day of the Dead and what he could expect to see.  The responses given by the family continue to present the idea that death is not a time of sorrow but a time of celebration on behalf of the dead.  The daughter gave a very excellent response when she said, "It's like celebrating the birthday of someone who has passed away.  So you should give them a party." (BBC 3:28)  The duality of life and death seems to be exemplified through this holiday as life and death are reunited for these couple of days.  The mother also says a phrase that exemplifies this as well when she says, "...The dead are coming.  And we're waiting for them." (BBC 3:07)

The journalist then goes to the actual festival where people get dressed up and display their humorous expression of death.  The people tend to have fun as, "Day of the Dead seems to be a chance to laugh at death and show you're not afraid." (BBC 4:43)  The celebration also seems to present a new image for the people as life becomes a representation of death.  As the journalist states, "Here life is turned upside-down.  Locals dress up as skeletons, men dress up as women, and parties are thrown in graveyards to welcome death." (BBC 4:13)  The journalist gets dressed up as one of the most common characters of the Day of the Dead, Katrina who is the depiction of an old rich women as a calavera.  She is meant to depict a continued theme in Mexican society that one of the great aspects of death is that it sees everyone as equals regardless of status or wealth.  In fact, Katrina is meant to invoke the lesson that, "...even money can't keep us from death." (BBC 5:09)

Hopefully by tomorrow afternoon I will have the second part of this blog post completed so the other half of this festivity can be presented.

Sources Cited: 

BBC. “Feasts – Mexico 1 of 3 – BBC Culture Documentary - Quinceanera.” YouTube Web site. YouTube video file. http://youtu.be/94Itpne_1Ww?t=4m30s (accessed 1 November 2013).



BBC. “Feasts – Mexico 2 of 3 – BBC Culture Documentary Dia De Los Muertos.” YouTube Web site. YouTube video file. http://youtu.be/JFt8-WdstQA (accessed 1 November 2013)
Mary J. Andrade. "Day of the Dead in Mexico." Day of the Dead in Mexico Web site.   http://www.dayofthedead.com/  (accessed 1 November 2013)